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14  Heinrich Hofmann. Am Auferstehungs-Morgen. Kommet zu Mir – Bild 13. Original drawing in pencil. John 20:11-18.
In both of these colourisations a limited palette (each at the opposite end of the spectrum) sets the tone of quiet restraint of dawn’s early light – Noli me tangere – in contrast to the garish hues expressing the hands-on grief of the artificially-lit Entombment.

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